March 14, 2012 § 3 Comments
I have re-immersed myself in dancing. It was really easy. I love how it seems no matter where I go, there is a flourishing and welcoming belly dance community. I went to a Farfesha student show and started taking classes at their studio shortly after. I signed up for an eight-week course with some American Tribal Style dancers who got their start at the same Santa Fe studio I did. I introduced myself after the first class and we talked a bit. After the second class, they invited me to join their troupe, The Desert Darlings! So how about that; I thought I would be stepping back from the tribal community, something I have thought before, yet it always seems to find a place for me. I guess it’s meant to be. And the Desert Darlings are, well, darling! I am still pursuing Oriental belly dance in my self-practice and will soon be seeking a weekly class.
Last month, I attended Oriental Potpourri, an annual event put on by Amaya. It was wonderful! The guest teacher was Karim Nagi of Turbo Tabla who is amazing! I took a Drum Solo and a Raks Assaya (cane) workshop. It was educational and inspiring! If you ever have the chance to take workshops with Karim, do it! If I had the means, I might travel all over the world taking his workshops. I would learn so much! He has published some DVDs and sells them at a discount to his workshop students. I haven’t gotten to watch mine yet, but I will post about them when I do.
Karim’s workshops got me thinking about some things. First of all, I now realize how important it is to call the traditional dances by their proper names to credit the Egyptians. Going forward, when doing these styles I will do my best to honor them with their true names. I will still call tribal style “belly dance” because it is so Americanized, and I will use “belly dance” as a catchall phrase since I don’t strictly do classical styles.
Second, I now know that I love Raks Assaya! I had never danced with a cane before, and it was so much fun! I already knew that the women’s style of dance came from playfully teasing the men who do Tahtib (an ancient martial art form using a large stick, an assaya), but hearing Karim’s description made it so much more fun! I want to buy a cane, but I have to do some research first because I don’t yet know what I’m looking for in this prop. If anyone has any pointers, they would be much appreciated!
I also learned some very valuable tips for drum solos, like separating the location of accents in the body to reflect different sounds on the drum, and I performed in a show for friends and family of Oriental Potpourri participants. I did my first ever, completely choreographed, non-Tribal solo. It was really fun and a great experience. I will post a video soon.
October 7, 2011 § Leave a comment
Some time ago, I participated in the most amazing, 3-day Ethics and Technique of Belly Dance Intensive with Mira Betz. I’d describe it as a movement, dance theory, life, history, culture, performance, self-examination and trust-building workshop. This woman has inspired me not only in dance, but in life. She is very honest and straight forward, and I really admire that. She works really hard and encourages her students to do the same.
In the dance section of the workshop, we learned some combos that Mira emphasized were not so much about the order of movements, but about the concepts we were learning. We explored stretching rhythms and altering the typical timing of combinations to create tension and variation of movement. We also explored how to present ourselves on stage in a way that makes our audience comfortable and relaxed.
There were many talking circles. We discussed our views and the way others view belly dance, things we’ve struggled with, and how our journey within the dance has been. We talked about East vs. West and Orientalism. We discussed pre-performance and post performance etiquette and how to elevate the dance form. We also ventured into how belly dance compares to other dance forms. This was one of my favorite areas of discussion. We compared it to Ballet and Burlesque and how they came to be respected and considered art and how belly dance could become an equally accepted art form.
I was surprised to learn that not everyone enjoyed the discussions as much as I did. A few subjects were addressed that some people took very personally such as performance etiquette, skill, religion, public presentation and other areas of ethics. I suppose that can be expected when such things come up.
One of my favorite parts of the weekend was a homework assignment called a wish wall. We made “wish walls” that represented things we wished for or that represented our hopes and dreams or inspirations in some way. Mira said we could make it whatever we wanted, but most people did some sort of collage. I used to collage a lot in high school but hadn’t in years. I really enjoyed this assignment and wish I had more excuses to do arts and crafts projects.
When we brought them to class the next day, they were presented anonymously and were analyzed and discussed by the group before revealing who’s wish wall each was. This was interesting because we got to see how other people perceived what we had done and even gained some insight into what our art was saying about us.
I definitely recommend taking this workshop or any workshop with Mira Betz. She is authentic and inspiring. It was a weekend of exploration, learning and self discovery.