February 27, 2013 § 3 Comments
My troupe produced our first full-length show a couple weeks ago. It was really our troupe director, Sadie Calderon and another local dancer, Lauren Martinez Burr who did most of the work with booking a location, inviting guest dancers and creating the lineup, finding tech people, making tickets and programs… The rest of us assisted with opinions, ticket sales, costume making, and choreographies. It was a lot of fun and quite successful! We sold out! It wasn’t a ginormous theater, but it is still exciting to sell out your first show!
It was a busy, busy month leading up to the show! It’s a lot of hard work, but it was totally worth it and I’d like to put on another one sometime. However, now that we’re done, I’m looking forward to a little more down time.
Here are the two dances I had the most to do with creating. The first is my solo, which is my own tribaret choreography, and the second is a tribal sword duet that I co-choreographed with the other dancer, Ally Lowry.
If you feel so inclined, you can watch the entire show (or just parts) here. Desert Darlings performed several numbers and the guest dancers were all wonderful! There is a lot of great talent here in Albuquerque!
October 15, 2012 § 2 Comments
Hello lovely readers! I know I have been quiet lately, but I haven’t forgotten about you! I have been incredibly busy in life and in dance! The nice thing about being too busy to write as much is that I have been dancing and performing quite a bit! Don’t worry, I will be back soon with stories, thoughts and insights! In the meantime, here is a video from one of Desert Darlings’ most recent performances. We performed in Santa Fe at “Raq-Us Illumination,” a show featuring Unmata! If you feel so inclined, you can check out other performances from that night on youtube. It was a great show!
April 20, 2012 § 1 Comment
I don’t usually choreograph my solos. I “tried” many times over the years, but was unsuccessful. I tried choreographing by dancing through a song, but couldn’t remember what I’d done. Or I came up with a set of moves for one phrase, but couldn’t come up with anything for the rest. Or I listened to a song and imagined how I would dance, but these images didn’t translate easily to reality.
Honestly, I think I lacked patience and confidence in my choices. I wasn’t ready to choreograph. Creating something definite was too much pressure. If I improvised, I didn’t have to worry about forgetting my choreography. Sometimes I worried about not knowing what was next, but I had no choice but to commit and keep dancing. It seemed less stressful. I love the freedom of improvisation. It’s so honest and genuine. However, both improvisation and choreography are important skills and lend themselves well to different circumstances.
A couple months ago, I signed up for a 3-5 minute solo at Amaya’s Oriental Potpourri. I wanted to challenge myself with an Oriental belly dance choreography. I picked a piece of music that seemed like it would be challenging to improvise to. After working on it obsessively, I am pleased with how it turned out.
Here is the process I went through:
1) I listened to the song over and over and over again. I wrote notes about the sections. How are they different? What is their feel? Should that section be fast? Staccato? Melodic? Traveling? In place?
2) I broke down the song by section and count. I wrote things like “Intro-32 counts” and “Call and Answer-16 counts.” Then I wrote general notes about what I saw for each section, such as “traveling,” “undulations,” “layering,” “shimmies.”
3) I listened to one section at a time, and then one phrase at a time. I visualized dancing. I kept listening until I had an idea I really liked, then I wrote it down. If I couldn’t get an idea for something, I skipped it and came back to it later with the question, “what does the dance still need?” As the dance developed, I made sure there was enough variation in floor patterns, traveling, staying still, leveling, etc. I didn’t want my dance to look stagnant and I wanted it to reflect the changes in the music. I also made sure there was some repetition so the dance was cohesive.
4) Once I had a combo written down, I tried it. I sang each part to myself as I slowly went through the moves. Some things worked and some didn’t. Some phrases needed a little refinement while some had to be entirely reworked. It was a process. Once I had something solid, I tried it with the music.
5) When I finished choreographing, it was time for memorization. I kept my notes nearby and practiced transitioning from one section to the next. This took awhile. It was the same process as learning someone else’s choreography.
6) Once it was memorized, I focused on musical expression. I listened to the music very closely and adjusted moves to reflect the sound. I tried to really dance it.
7) Practice, practice, practice.
This is the process that worked for me. I put together my 3-and-a -half minute solo in about a week and a half. I worked on it everywhere I could; every free second I got. At home, at school, at work, at the laundry mat…Once I started, it was hard to stop. It was a labor of love.
Here is the finished product:
What is your choreography process? Do you have any tips to share?
October 18, 2011 § Leave a comment
It’s funny how hobbies work their way into your thoughts. The more hobbies I pick up, the more it affects my artistic visions. I’ve been belly dancing for quite some time, casually spinning poi, and am a rather baby beginner at hoop dancing. When I listen to music now, I often “see” the music in the form of one of these dance styles. Which I see changes from song to song depending on what the song is saying to me. In the matter of my poi and especially hoop, I am not really good enough to make these visions into reality yet, but I just need to work on that. At this point, I really need all three in order to fulfill my dancing daydreams and mental musical interpretations. This dancing stuff is an addiction!
My next creative project I am planning is a choreographed poi dance. I am getting to a point where I am having smoother transitions between movements and am adding in variations like lockouts and extensions and what not and need to start actually dancing with the poi instead of just drilling and trying new things. I think a choreography will lead to some good practicing. As soon as I pick a song, I will start making a poi vision or two come to life.