December 6, 2011 § 2 Comments
This is a project I worked on with my roommate, a film student, a couple months ago. He was assigned to create short films in the styles of some of the first filmmakers. This project, he did in honor of Turkish Dance by Thomas Edison, shot in 1898. I tried to keep my free-style dancing on the folkloric side and create a similar feel as the dancer in the original video.
Here is my roommate’s completed project:
Here is the original short:
If you’ve never checked it out before, there is a lot of vintage, belly dance footage on youtube. It’s pretty interesting.
April 4, 2011 § 1 Comment
I have been thinking about how my transition into soloing has been gradual, but quite graceful.
I used to get bad stage fright when I first began dancing. I had a hard time smiling, my chin and bottom lip used to shake, I would even feel a little dizzy. Over time, I have come to love performing and enjoy being on stage. After I adjusted to being on stage in a group setting, I would still get nervous about performing solos. I didn’t do it very often. I had some American Tribal Style solos here and there, which are not like traditional solos as there is usually a chorus of dancers on stage with the soloist put in a position of focus. Even with a chorus behind me, it was a little nerve-racking.
I have very much enjoyed being a troupe dancer. I like the bonding that goes on between dancers on stage together. I like being able to feel supported by my troupe mates and supporting them in return. I like the dynamics that can happen in group dances. I like that there is a safety in numbers kind of feeling.
For a long time, I was not very interested in doing true solos. When I started performing them it was only when it was necessary to fill a time slot in a show. Back then, I did other people’s choreography, never my own, and certainly never improvisation. I wanted to feel confident that my solo was going to be “good.”
It was a bit of an adjustment to go from group dances to performing solos. My two biggest challenges were learning to use the stage differently and getting used to having Every. Eye. On. Me. Sure, I know people are watching me in group dances, but they are also looking at the other dancers. It is much more intense when they all focus on me at once. I have found myself on stage thinking, “oh my god, why are they looking at me like that????….oh yeah, because I’m doing a solo…” Haha. I think I have finally gotten used to it. It only took doing a few solos over a few months.
As far as using the stage goes, with group dances, it’s easy to use the space. The stage is filled just because there are multiple people on it. Groups can create dynamics with static formations, moving formations such as lines of dancers moving through each other, shapes such as circles, entire group level changes, scaled level changes, some dancers facing different directions…there are many possibilities. With a solo, there are similar options, but they are executed differently. A soloist cannot create a formation, but can be static or in motion. They can only create shapes across the floor by drawing them with their dance path. When a soloist changes levels, it can only be interesting because of the contrast between the level they are on and the level they were on. They can make directional changes, but can only face one direction at a time. They are solely responsible for taking center stage, covering the whole stage, creating interesting lines, and creating variety in their movement, all while still dancing to the music. It’s a bit a more pressure.
Another thing that is different between solos and group dances is the energy dynamic. With group dances, you can play off the energy of your fellow dancers and project to them as well as the audience. There is a collective energy on stage that infects you while you are contributing to it. In a solo, it’s all you, baby! You must commit, you must project. I feel like I am exploding with energy when I am doing a solo. I am also more aware of the music. I am the only one expressing the music, so it is my dance partner when I am on stage alone. I internalize the music and externalize the movement and energy.
When I first started performing solos, it was to fill show needs. Then, I started doing them because I felt like I had reached a point in my dance journey where it was necessary for my continued growth as a dancer. Now, finally, I perform them because I like to.
I did an improvisational veil solo at a performance over the weekend. I also performed a couple solos at a birthday party gig last weekend. I discovered I am not scared of all the eyes on me anymore. I am no longer terrified by the pressure of keeping the audience’s attention all by myself. I finally feel like I am using the stage properly and creating some variation in my movement that reflects the music and creates dynamic.
There is actually a wonderful sense of freedom in performing solos because I can just go with what the music is telling me to do. I don’t have to worry about whether or not I am doing the “correct” thing. I am not necessarily limited by the confines of a strict choreography. I can just dance.