Fire Poi: My First Burn!

September 5, 2011 § Leave a comment

Earlier this summer I had my first fire poi burn.  It. Was.  AMAZING!

I was at a 4th of July party at a friend’s ranch in the beautiful, Middle of Nowhere, NM.  It was a bunch of friends, old and new, getting together in the mountainous desert to sing, talk, camp and be merry around a fire under the beautiful open sky.

A friend of mine spins fire poi and brought hers to the party.  After she spun a little, and another friend at the party did as well, she asked if I wanted to try.  Although I had been trying to psych myself up for it all day, I was nervous.  The first time I had ever tried spinning fire poi, they were unlit at a fire jam in Portland, and I hit myself in the back of the head leaving a huge knot.  That was when I had only been taking poi classes for a few weeks, but it made me nervous ever since.  There were a lot of people at this party and I didn’t want them all watching me if I a)freaked out, b)caught on fire, c)sucked and got stuck in a forward spin for minutes on end, or d)a combination of any or all of the above.

I was around a lot of fire poi spinners in Portland, but I moved to Huntsville just as I was starting to get decent at it myself.  I knew only one or two other poi spinners in Alabama and none that spun fire, so I hadn’t had an opportunity to try in a long time.  After convincing myself a bit, I decided I had been spinning poi casually for five years, it was time to try the fire poi.  I put my long hair up in a bun, wet it a little just to be sure it wasn’t too flammable and mentally prepared myself.  I was at least going to try forward and backward spins and some basic turns.  No big deal.  I was in the company of friends.

I practiced with her poi unlit for a few minutes to get used to the weight and feel.  She assured me that I was doing great with them.  She told me she would only soak the ends with a little bit of fuel so they wouldn’t burn too long.  Another friend assured me that if I caught on fire, he was ready with the hose.  They told me I couldn’t ask for a more supportive crowd to try it in front of.

When I was ready, one of my very best friends lit one of the poi for me, I touched it to the other and watched them brighten into a big, orange glowing ball in the night.  I backed up, started moving them in a horizontal, circular motion above the ground in front of me (I believe this is called “stir the pot” in some poi-move vocabularies).  I brought the poi overhead for some “corkscrew” action (poi moving in same direction alternately between horizontal circles in front and overhead, one making the lower circle while the other is making the upper). I turned a bit with this and felt pretty good.  I transitioned my corkscrew into some chasing the sun (poi traveling parallel in vertical circles, alternating in front and behind the body) and brought it into a windmill (essentially the same move, but with the poi spinning in split-time so there’s one making a circle behind while one is making a circle in front). I felt incredibly…comfortable!

It was ON!  I listened to the music and I went through all my regularly practiced movements.  I flowed into turns, butterflies and weaves…I was threading the needle and extending into some basic flowers…I stalled, reversed, split-timed and moved around with the poi.  It was meditative and relaxing.  I love the hypnotic flowing of the poi.  Being within the spiraling ring of fire, I didn’t feel as if a bunch of people were watching me.  The flames were loud enough, I could hardly here them; the flames were bright enough, I couldn’t see anyone too clearly.  The way I often feel safe in stage lights, I found safety in the poi flames.

When one poi flame went out and the other began to dwindle, and it was time to spin hard and fast to extinguish it, I wished my time wasn’t up.  I could have gone longer.  I could have flowed more with the fire and the music.  I felt exhilarated!

My friend who owns the poi said it was awesome and that she thought I was going to do a few really simple things, but that I surprised her by going balls out.  It was such an amazing experience!  I am now completely re-energized about poi.  I am so glad that I have friends here to explore this art form with!  I have to start practicing more regularly again, and I absolutely MUST invest in some fire poi of my very own.

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Belly Dance Solo: My Experience with Solo Dance Versus Group Dance

April 4, 2011 § 1 Comment

I have been thinking about how my transition into soloing has been gradual, but quite graceful.

I used to get bad stage fright when I first began dancing.  I had a hard time smiling, my chin and bottom lip used to shake, I would even feel a little dizzy.  Over time, I have come to love performing and enjoy being on stage.  After I adjusted to being on stage in a group setting, I would still get nervous about performing solos.  I didn’t do it very often.  I had some American Tribal Style solos here and there, which are not like traditional solos as there is usually a chorus of dancers on stage with the soloist put in a position of focus.  Even with a chorus behind me, it was a little nerve-racking.

I have very much enjoyed being a troupe dancer.  I like the bonding that goes on between dancers on stage together.  I like being able to feel supported by my troupe mates and supporting them in return. I like the dynamics that can happen in group dances. I like that there is a safety in numbers kind of feeling.

For a long time, I was not very interested in doing true solos.  When I started performing them it was only when it was necessary to fill a time slot in a show. Back then, I did other people’s choreography, never my own, and certainly never improvisation.  I wanted to feel confident that my solo was going to be “good.”

It was a bit of an adjustment to go from group dances to performing solos.  My two biggest challenges were learning to use the stage differently and getting used to having Every. Eye. On. Me.  Sure, I know people are watching me in group dances, but they are also looking at the other dancers.  It is much more intense when they all focus on me at once.  I have found myself on stage thinking, “oh my god, why are they looking at me like that????….oh yeah, because I’m doing a solo…”  Haha. I think I have finally gotten used to it.  It only took doing a few solos over a few months.

As far as using the stage goes, with group dances, it’s easy to use the space.  The stage is filled just because there are multiple people on it.  Groups can create dynamics with static formations, moving formations such as lines of dancers moving through each other, shapes such as circles, entire group level changes, scaled level changes, some dancers facing different directions…there are many possibilities.  With a solo, there are similar options, but they are executed differently.  A soloist cannot create a formation, but can be static or in motion.  They can only create shapes across the floor by drawing them with their dance path.  When a soloist changes levels, it can only be interesting because of the contrast between the level they are on and the level they were on.  They can make directional changes, but can only face one direction at a time.  They are solely responsible for taking center stage, covering the whole stage, creating interesting lines, and creating variety in their movement, all while still dancing to the music.  It’s a bit a more pressure.

Another thing that is different between solos and group dances is the energy dynamic.  With group dances, you can play off the energy of your fellow dancers and project to them as well as the audience.  There is a collective energy on stage that infects you while you are contributing to it.  In a solo, it’s all you, baby!  You must commit, you must project.  I feel like I am exploding with energy when I am doing a solo.  I am also more aware of the music.  I am the only one expressing the music, so it is my dance partner when I am on stage alone.  I internalize the music and externalize the movement and energy.

When I first started performing solos, it was to fill show needs.  Then, I started doing them because I felt like I had reached a point in my dance journey where it was necessary for my continued growth as a dancer.  Now, finally, I perform them because I like to.

I did an improvisational veil solo at a performance over the weekend.  I also performed a couple solos at a birthday party gig last weekend.  I discovered I am not scared of all the eyes on me anymore.  I am no longer terrified by the pressure of keeping the audience’s attention all by myself.  I finally feel like I am using the stage properly and creating some variation in my movement that reflects the music and creates dynamic.

There is actually a wonderful sense of freedom in performing solos because I can just go with what the music is telling me to do.  I don’t have to worry about whether or not I am doing the “correct” thing.  I am not necessarily limited by the confines of a strict choreography.  I can just dance.

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