TribalCon VI, 2010

April 1, 2010 § Leave a comment

Once again, I had a great TribalCon experience.  This year, I only came to the Friday night hafla and Saturday workshops and show.

The hafla was fun.  I saw more ATS this year than I did last year.  There was less poi spinning and a bit of hooping.  Something new was African dancing, which I hadn’t seen at a hafla before.  That was really awesome.  Also, there were a few more male belly dancers participating in the convention.  Notably, the ATS troupe Shades of Araby was there.  They have a male troupe member and came all the way from Toronto.  They are a very fun troupe to watch.

My favorite workshops were Ariellah’s and Asharah’s.

Ariellah’s “The Artist’s Workshop: A primer for the well-rounded dancer”, was very interesting and thought-provoking.  We addressed many conceptual ideas about dancing, music interpretation, execution and expression.  We explored what moves us to dance, why we dance, how we envision ourselves sharing those things with an audience, and what qualities we want to possess when we dance.  During one really cool exercise, we listened to various songs and wrote down the temperature of each, the color and whether or not it evoked a memory.  Then, Ariellah taught us some combos, but insisted that we didn’t just go through the movements, that we actually danced the combos.  My favorite TribalCon quote was from after Ariellah had us do an arm movement as if we were touching velvet drapes with our finger tips.  A student in the class shared how much she was able to imagine that she could actually feel the drapes.  Ariellah told her, “That mental memory is going to become muscle memory, and it’s going to be beautiful.”

Asharah’s “Salimpour Legacy in Tribal” workshop was incredibly interesting.  She discussed the history of Tribal Belly Dance and how the dance morphed a little with each student becoming teacher. Jamila Salimpour is credited with establishing a common language in the dance.  Many of the names for movements we use today were coined by Jamila.  Jamila directed the first Tribal-like troupe, Bal Anat.  She was Masha Archer’s teacher, who was Carolena Nericcio’s teacher.  When Carolena began teaching, American Tribal Style was developed, somewhat unintentionally, to meet the needs of her and her dancers.  On the other side of Tribal, Rachel Brice was a member of Ultra Gypsy at the time she developed and named Tribal Fusion.  She was the first Tribal dancer to take the dance solo.  Ziah of Awalim was in the class and shared that she was at the Tribal Fest where Rachel Brice debuted her solo Tribal Fusion style.  Ziah said at the time they thought it was kind of funny and the general reaction was, “Hey, look! That Ultra Gypsy girl is dancing all by herself!”  We can thank Jamila’s daughter, Suhaila Salimpour, for refining the muscle technique to be more in line with other dance forms.  My favorite part of the workshop was when we danced through the moves as they were originally executed by Jamila and compared them to how they are executed today in American Tribal Style.  The moves are very similar, but the ATS versions have been modernized and altered to fit the music style and format of ATS.  One of the common changes occurs in the timing and where the downbeat and upbeat fall.  For example, Jamila’s Basic Egyptian was “step, twist, step, twist”, and the American Tribal Style version is “twist, step, twist, step.”

The Saturday show was beautiful.  It was a whopping 3 hours!  There was a lot of lyrical, modern-inspired pieces. Unfortunately, there were sound problems much of the night. It turns out a whole amp was turned off for the entire show.  The music didn’t fill the auditorium the way you’d expect during a dance show, and the mic levels for the live musicians were imbalanced, but it was still a pretty show.

My troupe is still waiting on our performance video, but here are two of my favorite performances of the evening.  The first is Jahara Phoenix and the second is their student troupe, Sherar.

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Looking Forward to TribalCon!

February 11, 2010 § Leave a comment

I am really looking forward to attending TribalCon again this year. This will be my third year. The classes are diverse and educational, and my troupe has some really fun things planned for our performance.

I am especially looking forward to Asharah’s class on the legacy of Salimpour technique in Tribal Belly Dance. She will talk about how Tribal came to be and about the roots of the American Tribal Style dance moves. This should be very interesting. I enjoyed Asharah’s ticking class last year and am looking forward to seeing what else she has in her arsenal.

I am also looking forward to taking Megha’s dynamic fades workshop. I wonder if there will be new fade moves or just reviews and clarifications of the current ones. The class description specifically said we would be reviewing the ASWAT (Arabic Shimmy with Arms and Turn) which I learned in a TribalCon workshop two years ago. Whether there is new material or not, it is always interesting and valuable to take classes from other ATS instructors and see how they break things down.

I am sad I will not be attending the entire weekend because I will be missing the workshops taught by Donna Mejia. I loved her classes last year and think she is an absolutely amazing woman and beautiful dancer. Oh well, hopefully I will have an opportunity to take classes with her again one day.

As always, I am really looking forward to the Friday night hafla, which is such a blast!, and the never-disappointing Saturday night show!

This is the host troupe, Awalim, performing at the Saturday show in 2008:

Only two more weeks!



Cool Poi Style

August 31, 2009 § Leave a comment

Wow. I’ve never seen anyone do as many tosses with poi as this guy does.  Some really clean stalls, too. Very impressive control. Really cool style.

Belly Dance Classes

August 16, 2009 § 5 Comments

At the beginning of the summer I started a new Beginning American Tribal Style class in a new, more popular time slot. I’ve gained a lot of new students. It’s been a lot of fun. I’ve designed it around the very basic ATS movements and the standard triplet zill pattern. It takes 6 weeks to cycle back through so everything gets reviewed every month and a half.

The students are great. Very excited, and very supportive of each other. I try to bestow upon them the little gems of knowledge I’ve collected and find the most useful. Planting seeds.

Starting in the fall, I will have an ATS Beginning II class following my Beginning class that will focus on beginning combo moves and specialty moves with a couple specialty zill patterns. I’m planning on also designing this class on a 6 week cycle.

I love having a bigger class and new students who I can really help develop a safe and strong technique. I feel newly inspired by my students each week. I always leave class rejuvenated and energized.

The only downside to the new class schedule is there’s no official time now for my Intermediate students from my troupe who have been dancing with me the last 2 years. The Intermediate class has been tacked onto the end of troupe rehearsal since we are the performance level dancers. Unfortunately, our time usually gets swallowed by other parts of rehearsal. Must find some way to remedy this….

Oh yeah, check out this short clip taken by an audience member of me and my Performance students performing some slow ATS at Panoply a couple months ago.

TribalCon V, 2009

March 19, 2009 § Leave a comment

My TribalCon experience this year was absolutely amazing! This was my second year attending, and I think this year’s was even better than last year’s.

The venue was the same: Holiday Inn in downtown Decatur, Georgia. Decatur is a darling little town with beautiful old buildings and funky little shops and cafes. However, it’s also a bit confusing. Both years I’ve gone, me and my carpool buddies have gotten lost as soon as we get to Decatur. This year we were lost for about an hour and a half. It was both hilarious and frustrating! At least I was in the car with a couple of very fun girls. It turned out we were very near the hotel several times but somehow kept passing it in large circles.  I really have no idea how this happened.  We had directions from multiple sources and still got lost.

Once we (finally) arrived, we got ready for the hafla, which is great fun. The musicians attending the event for the music workshops play and the dancers dance. This year, the music had a much more Balkan, gypsy feel. Last year, I believe it was more folkloric.  One big difference I noticed was while last year, the dancing was mostly dominated by American Tribal Style Dance and some Tribal Fusion, this year there was a Balkan line dance, lots of poi and even some hooping. I want to say it was actually less crowded, but it could also be that this time I knew what to expect and felt less overwhelmed, so I just perceived it as less crowded.

The workshops were of course amazing! Ariellah’s yoga workshop was energizing and challenging. She’s a lovely teacher and dancer and recommends taking yoga on a regular basis to open up the muscles we use in belly dance thus allowing for more movement.

Donna Mejia is an amazing woman! I didn’t know who she was before the workshops, but I certainly do now! She’s one of the most inspiring women I’ve ever met. She’s strong, yet feminine. If I’ve ever met a woman who embodies the poem Phenomenal Woman by Maya Angelou, it’s definitely this woman. She taught interesting combos and a lot of useful info on posture.  My favorite quote from TribalCon was something she said in her class. We were doing dance combos across the floor in lines and she responded to many dancers looking timid. She told us, “Now is not the time to hold back, ladies. When you’re looking back on your life, you’re not going to say ‘gee, I’m so glad I held back at that TribalCon workshop on Feb. 21, 2009.  I really benefitted from that…” Good point.

Asharah taught a workshop about ticking (the repetitive momentary stalling of a movement often seen in Tribal Fusion usually in response to really quick beats in music or mechanical sounds in electronic music). She broke down the theory and muscular aspects of the movements and gave us exercises to practice to master the movement. These types of moves are difficult for me. I have limited experience with that style of Fusion so I really appreciated the practice techniques I learned in her class.

Mira’s class is always challenging and provokes thought about doing the unexpected. She is well-known for her very impressive and difficult layering. She also takes typical belly dance combos and changes something to make them more interesting. For example, if a combo traditionally involves grapevines and hip lifts, she’ll make you do grapevines and hip drops instead. Her class is fun and will make you sore!

One of my very favorite classes was with Onca and August of the Mezmer Society. It was The. Most. Hilarious! workshop I’ve ever taken. It was about narrative belly dance, which is essentially belly dancing and dramatic, theatrical acting. We were making faces at eachother, interacting with eachother and dramatically dancing our way through emotions and characters such as drunken wench, passion, etherealness, and innocence. At one point, we were put in two lines facing each other and were each assigned contradicting emotions. We were to dance toward each other, interact and cross to the other side/other emotion. It was hysterical. Such a great workshop.

There were also a couple lecture styles classes this year that taught us about the anatomy of our bodies and how to dance in a safe and healthy way.

The All-Star Show was beautiful as always. My troupe’s performance went very well. We did a World Tribal Fusion piece, and at the end the dancers and musicians traded places. We played for them and they did a spoon dance.

The show’s after party was possibly the most fun thing that weekend. It was like the hafla, only catered, and everyone was ready to really let loose and dance the night away with lots o’ wine, good-spirited wildness and old-fashioned debauchery. I got to play with my poi in a large open space for the first time in a very, very long time, but unfortunately got carried away (which I realized when I showed up to the workshops the next day and it hurt to lift my arms! Oops!)

Overall, it was an incredibly inspiring, educational and fun weekend! I can’t wait until next year!

There’s Really Only One Word To Describe Unmata…

January 18, 2009 § Leave a comment

Badass.

The Perfect Poi Search

June 15, 2008 § Leave a comment

I took my poi to my dance studio the other night and got to practice with plenty of room and in front of a mirror for the first time in a year and a half. I remember now why I like it so much. I decided to look around for some new tricks to work on. Enter homeofpoi.com.

I also started looking for new toys that could be easily incorporated into belly dance shows, as fire can be very limiting.

I looked at tail poi and thought it was kind of cheesy looking.

Glow poi is pretty cool, but really only if you’re spinning them in a darker place.

I thought I found the answer when I discovered voi. It’s veil poi created with belly dancers in mind. It’s basically long veils attached to practice poi. I was really excited until I watched some videos and noticed all the dancers were only doing 3 or 4 actual poi moves and integrating in a couple double veil moves. It looked…limited. Not nearly as cool as the idea itself. I did a little research into this prop and discovered that it is, in nature, limiting. Apparently most poi moves cause the long veil tails to tangle, which was a little disappointing.

Then, just when I thought I was gonna have to settle for glow poi, I found this!

Flag Poi! All the ability of poi with all the beauty of veil! And it certainly helps that GlitterGirl puts on such a good show with them. Now, the only problem is finding some as nice as these. That is my newest mission. Find some pretty flag poi!

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