TribalCon VII, 2011
August 24, 2011 § Leave a comment
This year at TribalCon, I took workshops from Zoe Jakes, Al Confrin, John Compton, and Myra Krien. There was an interesting sounding lecture given by August Hoerr, but I really needed a break for lunch, so I did not attend. This year, there was a Friday night, live music only performance before the hafla. My troupe performed in that one. Saturday night was an all-recorded music show which I had the pleasure of relaxing in the audience during and just getting to enjoy.
The Friday night show was a lot of fun. the small stage was crowded with very talented musicians. The energy of a show that uses live music is infectious. It is very entertaining to watch the dancers and musicians play off each other. Live music is so much more dynamic than canned music. The show went very smoothly. My troupe closed the show, following John Compton, which was quite a lot of pressure, let me tell you! John Compton is amazingly mesmerizing on stage. His playfulness and stage presence is captivating. It was a lot of fun to get to hang out with him and bond backstage. He informed me that if you fart before a performance it’s good luck! That’s right, real life tips from a pro!
This was one of the enjoyable performances from the show. I like it because, not only do I think Jaylee is a lovely dancer, I think this one also showcases the musical talent nicely as well.
My troupe did an American Tribal Style piece under my direction. We honored both classical ATS and modern ATS styles. I think it went really well and we got enthusiastic feedback from the crowd afterward. One woman told me that she was excited because she had never seen American Tribal Style performed before, but loved it. She said she thought it was beautiful and is now interested in learning it. I think that is one of the best compliments I’ve ever received after a show!
The hafla was fun. There were a lot more hoopers this year. The only downside of having a show on Friday before the hafla was the hafla started later, so you got in less free dancing if you like to go to bed on the earlier side. I don’t however think this bothered much of the TribalCon crowd, as they will party into the wee hours.
In the morning, my first class was with Zoe Jakes. It was a good class, a bit intense. She had us do a lot of strengthening yoga exercises. My abs were tired before the bulk of the class began. The funniest thing that happened in that class was that she had us doing stretches where we lengthened our arms up and back slightly, elongating the torso and then folding from the hips stretching into a flat back, and then back into the original standing pose. When we were first alternating between the two positions, we would hold for 4 counts each. Then she had us double it to two counts and it was almost like standing sit ups with out stretched arms. After a couple repetitions, I realized, it seemed oddly similar to bowing. I began looking around. It was an auditorium filled with women surrounding Zoe Jakes on 3 sides, bowing in unison. I’m sure that probably wasn’t actually her goal, but it was quite hilarious.
For my next class, I got out my clarinet and switched to the music side with a class on Middle Eastern musical improvisation with Al Confrin. It was an incredibly challenging, informative and fun class. It was an intimate class, with only about a dozen people in the room. We had the stringed instruments drone while we took turns individually improvising little melodies using the notes on specific middle eastern scales and attempting to incorporate rules and tips Al had given us. By the end of the class, we were trying to match each others’ melodies and have musical conversations. It was fun and a bit nerve racking since we played by ourselves. I think I got an excellent compliment from Al. After I played one of my improvised melodies he commented, “I just love the sound of the clarinet.” !!!! I was flattered! Middle eastern musical improvisation is a huge subject as far as I can tell with many rules and subtleties to remember. I’m sure a person could work on new things in this area their entire career and still have more to learn. Being a classically trained musician, I have had very little experience with musical improvisation. I tried improvisation a little when I had a brief intro to jazz years ago, but that was it. Classical musicians don’t really improvise. Orchestral music is read from sheet music, and that’s most of what I’ve done. I feel like Al’s class was a great starting point and I have really been able to use some of the instructions he gave to have more structured and more musically appealing improvisations.
I switched back to the dance side to take a workshop on traditional Tribal steps and combos with John Compton. He is a delight to learn from! He is incredibly fun and funny and informative to. He taught us many combos that were challenging and some of them very different than what I have learned in the past. By the end of the class we had a mini choreography of John Compton combos.
The last class of the day was with my first teacher, Myra Krien. She taught flamenco fusion moves in the ATS format. I felt a little like I was cheating in the class because I had previously known all but two of the moves. I had them down perfectly while everyone else was struggling to remember them. It was a great refresher and I enjoyed learning the two new flamenco adaptions that I had not seen before.
The Saturday night show was great; very inspiring. It was nice to get to sit down and watch a whole belly dance show without having to worry about performing. The Friday night show kept the Saturday night show from not being overly long, so it easily held the audience’s attention. The only downside is that I was starving after a day full of activity and you could smell the buffet waiting for us in the next room for after the show! That was a bit distracting, but not too bad and the buffet was worth the wait. It was quite delicious.
All in all I would say I had another great TribalCon experience!